Tag Archives: The Bible of Amiens
170: January 20, 1900: The Night Cometh
Folks, As Ruskin aged and his body left behind the supple, gazelle-like form that had allowed him in earlier decades the ability to bound up mountains and ford streams, as the debilitating mental storms which had begun in 1878 continued … Continue reading →
Posted in Life, Ruskin's Life, Tributes
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Tagged Alexander Macdonald, Alexander Wedderburn, Armitt Museum, Arthur Severn, Brantwood, Charles Eliot Norton, Detmar Blow, Dr. George Parsons, E. T. Cook, Edward Burne-Jones, Elbert Hubbard, Fitzwilliam Museum, Francesca Alexander, Fred Hollyer, Frederick Leighton', G. F. Watts, G. P. Abraham, George Allen, Georgiana Burne-Jones, Gutzon Borglum, H. S. Roberts, Henry Acland, Illustrious Friends, Joan Severn, John Ruskin, Lady Georgiana Mount Temple, Lady Sheila Birkenhead, Lily Severn, Peter Baxter, Poets' Corner, Praeterita, Roadside Songs of Tuscany, Ruskin, Ruskin Museum, Ruskin's Funeral, Sir Walter Scott, Slade Professor of Fine Art, St. Andrew's Chruchyard Coniston, Susanna Beever, Susie Beever, Sydney Cockerell, Tennyson, The Art of England, The Bible of Amiens, The Crown of Wild Olive, The Library Edition of the Works of John Ruskin, The Pleasures of England, Unto this Last, Westminster Abbey, William Morris
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