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To show why Ruskin, a revered and acknowledged genius in his own nineteenth century, is still relevant today.
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Tag Archives: Fors Clavigera

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162: George Sampson’s Assessment

Posted on October 29, 2019 by jimspates

Good Folks, Almost always I save the best of the published praises of Ruskin and his works for special moments like the anniversary of his death (20 January) or birth (8 February). This allows me to devote the remainder of … Continue reading →

Posted in Architecture, Encomia, Ruskin's Life, Society, Tributes | Tagged Blackwood's Magazine, David Ricardo, Digital Learning Center at Hobart and William Smith Colleges, Fors Clavigera, Fraser's Magazine, Gabriel Meyer, George Sampson, J. m. w. Turner, James Anthony Froude, Jennifer Webb, John Ruskin, Modern Painters, Munera Pulveris, Praeterita, Ruskin, Sesame and Lilies, Sir Walter Scott, The Concise Cambridge History of the English Languagege, The Cornhill Magazine, The Ethics of the Dust, The Gamble House, The Hinksey Project, The Library Edition of the Works of John Ruskin, The Nature of Gothic, The Pre-Raphaelites, The Queen of the Air, The Seven Lamps of Architecture, The Slade Professor of Fine Art, The Stones of Venice, The Utilitarians, Unto this Last, William Makepeace Thackeray | 1 Comment
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  • Last Ten Posts

    • 166: The Roof
    • 165: Light and Dark
    • 164: A Consumation Devoutly to be Wished
    • 163: On Being Ready to Sing
    • 162: George Sampson’s Assessment
    • Note: The Dedication of The Van Akin Burd Library at Brantwood
    • 161: Lying
    • 160: Trading Carefully (or not)
    • 159: Recomposing the Pines
    • 158: The Poem that Took the Shape of a Mountain
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