Tag Archives: Fors Clavigera
162: George Sampson’s Assessment
Good Folks, Almost always I save the best of the published praises of Ruskin and his works for special moments like the anniversary of his death (20 January) or birth (8 February). This allows me to devote the remainder of … Continue reading →
Posted in Architecture, Encomia, Ruskin's Life, Society, Tributes
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Tagged Blackwood's Magazine, David Ricardo, Digital Learning Center at Hobart and William Smith Colleges, Fors Clavigera, Fraser's Magazine, Gabriel Meyer, George Sampson, J. m. w. Turner, James Anthony Froude, Jennifer Webb, John Ruskin, Modern Painters, Munera Pulveris, Praeterita, Ruskin, Sesame and Lilies, Sir Walter Scott, The Concise Cambridge History of the English Languagege, The Cornhill Magazine, The Ethics of the Dust, The Gamble House, The Hinksey Project, The Library Edition of the Works of John Ruskin, The Nature of Gothic, The Pre-Raphaelites, The Queen of the Air, The Seven Lamps of Architecture, The Slade Professor of Fine Art, The Stones of Venice, The Utilitarians, Unto this Last, William Makepeace Thackeray
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