Welcome to “Why Ruskin”

The intent of this website is to introduce its readers to the remarkable thought of the great 19th Century British Art and Social Critic, John Ruskin. Even though his is hardly a household name these days, it is my deep and enduring belief that Ruskin’s brilliant thought and carefully worked out ideas (always encased in glorious prose) still retain great relevancy for our modern days, offering new ways of thinking about and, quite possibly, if put into practice, alleviating or lessening many of the troubles which still beset us. But there is second level to Ruskin’s genius, his unparalleled ability to make the beauty of this world and life come alive. I am hopeful that, after reading some of the posts that follow you might be inclined to agree with these assessments.

If you are a First Time Visitor, I recommend you begin by reading the First Post: “An Introduction to this Site” (just click on this link). Using a number of Ruskin’s best quotes, this initial offering outlines the site’s history and goals. If, after reading it, you’d like to read other Posts, scroll up to the top of this screen and, under the banner, chose the Page, “Previous Posts in Sequence.” This will bring you to a list of all the site’s posts; chick on any one and you will be taken to it. The other Pages listed under the banner, “Writing Ruskin,” “Talks and Walks,” “Ruskin Resources,” and “Ruskin’s Life: A Radical Revision” will be self-explanatory as you open them.

The ten most recently published Posts can always be found in the right hand column. Click on any one and you will be taken to it. If you’d like to be notified of  new Posts as they publish, as I hope you will, click on the “FOLLOW” button at the top of the column and just type in your email address. (Questions, suggestions, or comments always welcome.) Also in the right column you will find a feature that allows you to view “Previous Posts by Topic,” and a very useful search engine (type in a word or phrase you are interested in).

If you’d like to read an overview explaining how I came to admire Ruskin as much as I do, complete with examples showing why I think that judgment is sound, you can have a look at my essay,  “Why Ruskin?”  The lovely drawing below–there are hundreds more (many are reproduced in the following Posts)!–is Ruskin’s

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192: The Living Surround

Late Blooming Roses, Geneva, New York, early September, 2020

Friends,

Today is Labor Day in the US, the day during which we traditionally celebrate all that working people have done to make us who we are today. Today, also as specified by tradition, we don’t work. We relax and enjoy ourselves. Tomorrow we work. There are innumerable ways of doing this relaxing and enjoying this, of course, but one which should be fairly high on our agenda, Mr. Ruskin would surely say, is to take a walk in the woods; adding that you’ll be pleasantly surprised, delighted, and elevated by what you find there.

So, just in case you are inclined to follow his advice (almost always this is a good idea), here are a few Ruskin bits you can put in your back pocket and bring with you. As always, such bits will be helpful for seeing but, in one case in particular, much deeper issues are raised. They were written at different times and arrive from a number of different sources because, as you know if you’ve been with us for any significant amount of time, there were many such tributariesb, but, whatever Ruskin’s own changes may have been along his evolving way, the central themes, such as the importance of loving and deriving inspiration (literally, to “in-spirit,” to “breathe life into”) from Nature, never changed. 

The first is from a late collection of letters, Arrows of the Chase, reproductions of missive which he had sent, over the years, to newspapers and journals:

It is not sufficient that the facts or the features of Nature be around us while they are not within us. We may walk, day by day, through grove and meadow, and scarcely know more concerning them than is known by bird and beast: that the one has shade for the head, and the other, softness for the foot. It is not true that “the eye, it cannot choose but see” unless we obey the following condition, and go forth “in a wise passiveness,” free from that plague of our own hearts which brings the shadow of ourselves and the tumult of our petty interests and impatient passion across the light and calm of Nature… You may rest assured that those who do not care for Nature, cannot see her. A few of her phenomena lie on the surface, [but] the nobler number lie deep, and are the reward of watching and careful thought. 

Here’s a second, from the first volume of Modern Painters, the book that made Ruskin a “household name”–at least among Britain’s reading classes:

The truths of Nature are one eternal change, one infinite variety. There is no bush on the face of the earth exactly like another bush. There are no two trees in the forest whose boughs bend into the same network, nor two leaves on the same tree which could not be told one from the other, nor two waves in the sea exactly alike.

And here’s the last (for today, at least). You can find it in the third volume of Modern Painters, and is the one of the three that, should you decide to allot it, asks for the deepest reflection.

With us, observe, the idea of the Divinity is apt to get separated from the life of Nature. And, imagining our God upon a cloudy throne far above the earth, and not in the flowers and waters, we approach those visible things with a theory that they are dead, governed by physical laws, and so forth.

But, coming to them, we find the theory fails–that they are not dead; that, say what we choose about them, the instinctive sense of their being alive is too strong for us, and in scorn of all physical law, the willful fountain sings, and the kindly flowers rejoice!

And then, puzzled and yet happy, pleased and yet ashamed of being so, accepting sympathy from Nature–which we do not believe it gives!–and giving sympathy to Nature–which we do not believe it receives!…we fall necessarily into the curious web of hesitating sentiment, pathetic fallacy, and wandering fancy, which form a great part of our modern view of Nature.

Perhaps these will be enough for a holiday stroll.

Sunrise over Seneca Lake, New York, 4 September 2020.

Until next time.

Continue well out there!

Jim

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